I apologize for the lack of book-related posts lately. Chess has me by the neurons, and I don't really mind. Here is something that covers both bases, though. I saw this poem in a fun documentary about chess by Davide Fasolo.
Chess
1
In their solemn corner, the players
govern the lingering pieces. The chessboard
delays them until daybreak in its severe
sphere in which colors are hateful.
Inside they radiate magical severity
the forms: Homeric tower, light
horse, armed queen, last king,
oblique bishop and attacking pawns.
When the players will have gone,
when time will have consumed them,
certainly the ritual will have not ceased.
In the Orient this war was lit
which amphitheater is today all the earth.
As the other, this game is infinite.
2
Fainting king, slanting bishop, fierce
queen, straightforward tower and cunning pawn
on the black and white path
searching and fighting their armed battle.
They ignore the player’s pointing hand
governs his destiny,
they ignore that a tamed severity
holds his will and day.
The player is himself a prisoner
(the sentence is Omar’s) of another board
of dark nights and light days.
God moves the player, and he, the chess piece.
Which God behind God begins the conspiracy
of dust and time and dream and agony?
Translated by Blanca Lista. Original version below.
Continue reading "Jorge Luis Borges: Chess" »
Have you ever read exactly the right book at exactly the right time? That's what The Immortal Game: A History of Chess was for me. I picked it off the shelf at the library, attracted by the subject and the beautiful cover design, and it turned out to be a real winner. It is a very well-organized book and very well-written, with a friendly, self-deprecating style. The author, David Shenk, has a fine chess pedigree (his great-great-grandfather was the illustrious Samuel Rosenthal) but acknowledges that he is little more than a "patzer" at the game. No matter—he makes up for it with his writing, and has done a wonderful job of making chess accessible and fascinating.
The Immortal Game traces the development of chess over time, from hazy myths about its invention (I posted a bit about it here), to the latest "hypermodern" style of play. He also touches on various topics related to chess, from how chess has been used to defend and critique rigid social systems, to how it is used to understand and mimic the brain.
Continue reading "“The Immortal Game: A History of Chess” by David Shenk" »
When and how and why was chess invented? The very oldest chess myths point toward its actual origins. One story portrays two successive Indian kings, Hashran and Balhait. The first asked his sage to invent a game symbolizing man's dependence on destiny and fate; he invented nard, the dice-based predecessor to backgammon. The subsequent monarch needed a game which would embrace his belief in free will and intelligence. "At this time chess was invented," reads an ancient text, "which the King preferred to nard, because in this game skill always succeeds against ignorance...."
This quote from The Immortal Game: A History of Chess by David Shenk expresses exactly why I have taken up chess. Back in June I was inspired by Wil to try backgammon again. I had played it as a child and it seemed like it would be a fun pastime. Eventually, though, as I got backgammon strategy pretty well figured out, I got tired of being at the mercy of the dice. A few bad rolls and it would be game over through no fault of my own.
I suppose it's my Western Enlightenment mindset that rebels against the notion of being controlled by fate. Though as a scientist and biologist I realize that randomness, probability, and systems determine much of our existence, I'd still rather believe that I have a say in the matter. It's either chess or chaos, and I pick chess.
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